4th of July Salute to Military Women as Heroines

“I’m a Stuart Woods fan. So when I started your book I figured you borrowed your heroine from his Holly Barker series. You know they’re both ex-military.”

Awhile back, I was teaching a course in a lifelong learning program when one of my students made this comment. I was flabbergasted. Though it had been a few years since I’d read any novels in Woods’ Holly Barker series, the remark troubled me. Had I unconsciously incorporated aspects of Holly Barker’s persona in my heroine, Marley Clark?

I asked a few questions. To my great relief, I quickly discovered the student predicated her “borrowing” comment solely on the fact that both literary heroines were retired military and were now involved in some fashion with law enforcement.

While I shrugged off this student’s comparison, it continued to bug me. In fact, I revisited Holly Barker to see if I’d forgotten other background or experience parallels. Nope. Holly was an MP who retired when the officer she accused of sexual harassment and rape was found not guilty. Now in her late thirties, Holly worked as a Florida police chief. In contrast, my character is a military intelligence officer and one-time Polish linguist, who retired from the Army shortly after her husband died. At age 52, Marley works part-time as a security guard on an island community in the South Carolina Lowcountry.

So why would anyone suggest there might be something derivative here? Would that student have thought Lee Child had “borrowed” Jack Reacher from John D. MacDonald’s Travis McGee series? Both of their characters are ex-military. In fact, it’s pretty tough to name a male detective in the mystery/thriller genre who hasn’t spent some time in a military uniform. Male ex-military ranks include Mickey Spillane’s Mike Hammer, Michael Connelly’s Harry Bosch, and Ross Macdonald’s Lew Archer to name a few.  

Finally, I concluded that reading about women characters with military backgrounds was such an unusual occurrence for my student that this single commonality overshadowed the far more striking differences between the heroines. And that raised another interesting question: why are ex-military ladies such a rarity in popular fiction?

According to current statistics, the U.S. military counts more than 1.8 million women veterans. Today, 214,000 women account for more than 14 percent of all U.S. soldiers on activity duty.

While I didn’t serve in the military, Arlene, my best friend since kindergarten, did. Like my series heroine, Arlene is a retired military intelligence officer and a one-time Polish linguist. It’s no accident that Marley’s postings and career mirror Arlene’s. I’ve had the good fortune to meet many of Arlene’s Army friends. These ladies are smart, independent, witty, and, often, hold advanced college degrees. They are also physically fit, know how to use weapons, and understand tactics. In other words, they are IDEAL heroines for mysteries, thrillers and suspense novels.

Why don’t more female Army vets populate our novels? While I don’t have the statistics to back up my theory, I’m fairly certain that heroines in mystery/thriller/suspense genre heroines are far more likely to be cops (sans military background), lawyers, or medical examiners than veterans. Yet, women are minorities in these professions as well. Women account for 24 percent of the nation’s lawyers, 25 percent of our forensic pathologists, and an estimated 12 percent of all law enforcement jobs.

So what say you?

• What books have you read that feature ex-military or active-duty service women? Did you enjoy them?
• Is the time ripe for more women veterans to appear in our novels?
• Are literary heroines underrepresented (or overrepresented) in other professions?
• What career path would you most like to see a female sleuth follow in some future book?   

Location, Location—Where To Set Your Story

 By Linda Lovely

SC Lowcountry-Dear Killer Setting

Choosing a setting for your story is more than a matter of window-dressing. It impacts:

• PLOT: Every location offers a unique cornucopia of potential challenges and resources. In a suspense/ thriller novel, location factors are often tightly woven into the plot fabric. Think Deliverance or Hunger Games. In a romance or drama, the setting’s social milieu influences plot by defining what behaviors are (or are not) acceptable. Think The Help.    
• CHARACTERS: Setting also plays a role in defining characters—how they think, act, and talk. It would be very difficult to extract New Jersey’s “DNA” from the Stephanie Plum, Janet Evanovich’s loveable character. Even if your heroine is a stranger/newcomer to your setting, how she reacts to the “natives” and their customs will tell the reader a great deal about her character.  
• MOOD: The scenery and weather peculiar to a location can set the mood throughout a book. Blue skies, oppressive heat, dense fog, numbing cold, tropical downpours, urban decay, unspoiled beaches—these are just a few of the many elements used to signal optimism or foreboding and communicate sadness or happiness.
• SALES:  While selling books is seldom an author’s prime consideration in selecting a novel’s location, it is worth mentioning. People enjoy reading novels set in their hometowns or in places they’ve visited. Of course, there’s also a danger. Readers may be highly critical if a book’s descriptions fail to match memories or photographs.

I’ve published three books. I followed the “write what you know best” dictate in selecting the locations for both of my Marley Clark Mysteries (Dear Killer and No Wake Zone), set in the South Carolina Lowcountry and Spirit Lake/Okoboji, Iowa, respectively. I have intimate knowledge of both locations—people, geography, history, culture—and could weave key details into my plots.

I changed tactics for my latest romantic thriller, Final Accounting, and set it in Jamaica—an island I’ve only visited. Despite a lack of detailed Jamaican knowledge, I couldn’t resist sending my characters there.

Jamaica is a study in stark contrasts. Paradise and poverty. Lavish resorts and urban violence. Soaring mountains and deep, dark caves. These contrasts give an author everything she could ask for to make setting another character in the story—from fairytale beaches that provide perfect backdrops for a romantic embrace to steep mountain roads where danger seems to lurk around every corner (even when you’re not being chased by a determined assassin).

Though similar contrasts can be found throughout the world (the U.S. included), Jamaica offered my readers a number of exotic and unexpected extras. Many Jamaican tourists never step foot outside all-inclusive, walled resorts. However, my husband and I had the advantage of being shown around the entire island by expert guides—my sister, Rita, and brother-in-law, Hank. They lived in Jamaica for seven years. Hank, an engineer, headed a major highway construction project, and his work took him to virtually every part of the island.

During our visit, we accompanied Hank to a number of locations. On one sojourn we drove into the hinterlands in search of gravel pits. En route, we bought coconuts (but not the ganja/marijuana) offered by roadside entrepreneurs and ate jerk chicken at stands where one hoped the fiery spices killed germs. In Kingston, we marveled at the number of goats and machete-carrying pedestrians holding up traffic. Of course, we also ate at five-star mountain-top restaurants, visited ritzy resorts, and went for an unforgettable evening cruise on Jamaica’s bioluminescent bay.

In Final Accounting, my heroine and hero visit many of these same places. They also descend into Dragon’s Throat, a fictitious cave modeled on real caves in the Cockpit region. Since I’m slightly claustrophobic and don’t like heights, I’m happy to report I didn’t rappel into a mile-deep cavern for a first-hand look. But I did try to capture what my characters experienced. How? Thank heaven for the Internet.

Internet Research, Asking for Local Help

My brother-in-law gave me the idea of using caves in my plot, suggesting they’d be “a great place to hide bodies.” His observation launched me on a research project back home, and I found the Jamaican Caves Organisation (JCO) and Ronald Stefan Stewart, JCO’s founder. After I viewed the JCO’s extensive library of cave exploration videos, I wrote a first draft of my cave scenes and sent them to Stefan for review.

In my experience, individuals like Stefan are more than happy to share their expertise with authors. They’re willing to read relevant scenes to see if physical settings are portrayed correctly and to give their opinion on whether the dialect, dialogue and mannerisms of locals are true to life. Such resources may be just a Google, Tweet, Pinterest or Facebook post away.

In my case, Stefan’s expertise was invaluable. He’s visited more than 250 caves and sinkholes in Jamaica and discovered more than 50 new ones, which he’s added to the nation’s Register. If there are any errors in my descriptions of the fictional Dragon’s Throat cave, caving, or the Cockpit region, rest assured the mistakes are mine. If you have any interest in caving and the JCO’s important conservation initiatives, please visit the JCO website: http://www.jamaicancaves.org/main.htm.



Okoboji, Iowa-No Wake Zone Setting



What my research taught me is that authors don’t have to personally visit every location included in a novel—if they commit to doing the research and asking for help. Writing fiction exercises the imagination.  Taking our characters beyond our own geographic boundaries give us a chance to visit new, exciting worlds. Even if we never leave our computer screens.

How/Where To Find Information

Talking in-person with residents of the selected area is an obvious starting point. However, there are many additional ways to glean information.

·        Contact Chambers of Commerce and search their websites for member organizations that might offer unique insights. Examples run the gamut from historic foundations and B&B owners to deep sea fishing charters and popular restaurants.

·        If your location is a vacation destination, contact travel agents and or local tour guides.

·        Search out and read relevant magazine articles and books (fiction and nonfiction, history and contemporary) for ideas.

·        Scan rosters of professional writer organizations to see if fellow members (or book sellers) reside in the area.

·        Try to establish contact with a librarian at a community or college library.

·        Ask for help on social networks and conduct searches on Google, Facebook, Pinterest and Goodreads.

Research can be half the fun of writing a book. The only danger is that you may get so wrapped up in research you neglect your writing.

Have you written about a place you’ve never visited? Have you read a book that made an unfamiliar location seem so real you felt you’d spent time there? What are your favorite settings for novels?

About the Author: Linda Lovely was a journalism major in college and has always made her living as a writer, working predominately in public relations and advertising. She now focuses on writing stand-alone thrillers and the Marley Clark Mystery Series. For more information, visit her website: www.lindalovely.com.