Write What You Fear?

 By Linda Lovely

We’ve all heard the old saw—write what you know. Oh, really?

Fortunately, most authors of mysteries, thrillers, and romantic suspense have never been shot, beaten, handcuffed, kidnapped, stalked or targeted by a relentless assassin. So does that mean we can’t write about heroines and heroes thrown into terrifying situations?

I couldn't do this!

Of course not. There is a way to write what we “know” when we place our heroines/heroes in dangerous situations we’ve never experienced. Method actors do it all the time. They draw on the real emotions that gripped them at some point in their lives.

I suffer from “moderate” vertigo and a fear of heights. Years ago, when I was a partner in a PR firm that prepared feature articles for corporate clients, I covered the Miss Universe contest for a computerized lighting equipment manufacturer. The client requested photos (I was both writer and photographer) taken from “above” its overhead lights to spotlight its equipment with the Miss Universe contestants on the stage below. To get the shots, I was allowed to climb the scaffolding during rehearsals. (Did I mention this contest was NOT held in the USA where OSHA standards might apply?)

As I scooted along the beam, the whole rickety structure seemed to sway. I was terrified. Sweat beaded on my forehead. My heart raced. My fingers were so sweaty I could barely focus the camera. I got dizzy. Closed my eyes. Tried to steady my breathing. I watched a sweat droplet plummet and wondered if the lady below thought there was a leak in the roof. The incongruous thought made me want to giggle. Edge of hysteria? Maybe.

I climbed to the top of this lighthouse to take
pix for a client. As high as I go & not thrilled. 

My seventh book, Bones To Pick, a humorous mystery, will debut in October. The plots are quite different. But—what a surprise—my heroines all suffer from vertigo and a fear of heights and often find themselves in situations where they must overcome those fears to survive.

In Dear Killer, Marley Clark climbs to the pinnacle of a lighthouse to flee a gunman. In No Wake Zone, the sequel to Dear Killer, Marley must leap from a rooftop to the scaffolding of a roller coaster to lure a killer away from her cousin. In Dead Line, the first of my Smart Women, Dumb Luck Romantic Thrillers, Nexi Ketts rappels into the depths of a cave that’s deeper than the Statue of Liberty is tall.

Do you take advantage of your fears and remembered emotions when you write? If so, do you have fears that resurface in different guises in your manuscripts?